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Asterisk Soundfiles Submission Process v1.5 2009-09-01
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jtodd@digium.com
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This document has been moved to the Asterisk Wiki:
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The Asterisk project is looking for contributions of soundfiles to
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expand the usefulness of Asterisk across as many languages as
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possible.
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However, Digium is not able to maintain more than a few basic language
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sets and the project relies upon the community for the many additional
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languages which may be added to the soundfile list. To this end, the
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following criteria are to enable the administrative and technical
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inclusion of soundfiles in multiple languages.
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Criteria for language submission:
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1) Creative Commons Attribution-Share Alike 3.0
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(https://creativecommons.org/licenses/by-sa/3.0/us/) for all
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soundfiles, and the actual artist who performs the prompts must be the
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one who approves (in writing) the CCBYSAv3 license. Print out the
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license, have the artist sign, and fax to Digium (+1-256-428-6217
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Attn: Contracts) or mail it to Digium (445 Jan Davis Dr Nw,
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Huntsville, AL 35806, USA Attn: Contracts)
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2) You must duplicate all existing sounds that are currently in the
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SVN trunk version of core-sounds-en.txt - no partial libraries. If
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you are submitting sounds for extra-sounds, a full duplicate set of
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the English prompts is not necessary, and alternate words may be
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added.
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3) The artist who performed the original sounds must be available for
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additional work at a "reasonable" market price, and contact data must
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be provided with the sounds submission.
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4) Soundfiles must be in ".wav" 48kHz 16-bit signed linear format -
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Digium will do all conversions to various codecs.
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5) A soundfile map must be included with all submissions, in the same
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style as core-sounds-en.txt but for your specific language. This may
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be derived from Step 6 in the "Process" section, below.
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6) Periodically and infrequently, there may be additional words added
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to the English "core-sounds" repository. At such time as those words
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are added, you would be responsible for submitting those additional
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sounds in your submitted language by the same artist who performed the
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recordings for the primary sounds, and creating an issue on
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issues.asterisk.org containing the new sounds.
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7) If you duplicate the words/phrases in the current
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core-sounds-en.txt file, this does NOT guarantee complete
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functionality with your language. Notably, numbers and dates often
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require additional work with code in various parts of Asterisk to
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comply with specific language syntax issues. You are welcome to
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create patches to fully support your language - see
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issues.asterisk.org for more details of how to contribute code to
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Asterisk.
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8) If you wish to update a sound set, any updates must be created by
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the same artist that created the base sound set.
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Process:
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Every time you submit sounds, even if partial sounds, you will need to
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execute all of these steps. That includes #8 and #9 - each submission
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requires a signed license from the actual artist, no matter how
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trivial the file set.
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1) Create your language soundfile archive as a directory. Put all
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soundfiles into the directory.
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2) Determine the two-digit ISO639-1 language code (en=english,
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ru=russian, etc.) and replace the "xx" in other steps with this two
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digit code.
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3) Determine the most obvious nation in which the dialect of the
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artist is appropriate, if any. Select the country code from the
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ISO-3166-1 list. Replace "_YY" in the other steps with this two digit
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code. This two-digit code should be upper-case.
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4) Create a file called "CREDITS" and put in this file a short
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free-form block of text that you wish to include for anyone who wants
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to learn more about you or the artist who performed the sounds.
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Please minimally include the name and contact information for the
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artist as a URL and/or email address.
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Example:
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bash-3.2# more CREDITS
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Recorded by:
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Allison Smith (https://www.theivrvoice.com)
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Financial Contributions by: Digium, Inc. (https://www.digium.com)
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bash-3.2#
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5) Create a file called "LICENSE" and include the license text (listed
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below these instructions) which are the Creative Commons
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Attribution-ShareAlike v3 license terms.
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6) Ensure you have a .txt file that describes all of the soundfiles by
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name and by textual description. UTF-8 is mandatory. See
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"core-sounds-en.txt" as a template. Another option (possibly easier
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and preferred) is to submit an OpenOffice ODS formatted spreadsheet
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with three columns (Col 1: module name most associated with file, col 2:
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filename in ASCII, col 3: text of soundfile in your localized language
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- see doc/lang/*.ods for examples) and it will be converted during
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import to UTF-8 format.
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7) Use "tar" to create a single file of your sounds and the three text
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files.
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8) Create an account on https://issues.asterisk.org/ if you do not
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already have one, and submit the file via that interface. In order to
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eliminate confusion, you should also complete the license agreement on
|
||||
that system, which is an electronic license agreement. You will
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obtain an issue number from the issues.asterisk.org system - save this
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||||
number.
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9) Have the artist (NOT YOU, UNLESS YOU ARE THE ARTIST) sign a copy of
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the Creative Commons license and send it to Digium (see contact data,
|
||||
above.) Have the artist WRITE THE ISSUE NUMBER from step 8 on the
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Creative Commons license agreement. This is mandatory for acceptance.
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10) Project staff will evaluate your sounds submission and communicate
|
||||
with you via the issue maanger as to the progress and status of
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inclusion. If your soundfiles are included, they will receive an
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ordinal number according to the number of other archives in this
|
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language/dialect group, a gender key, a freeform text description, the
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codec for that file, and the version of Asterisk for which the files
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were released. (Format for filenames suffix is:
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languagecode[_territorycode[_gender[_variant]]] ) So your submission
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||||
may have an archive name that after processing looks like this:
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"asterisk-core-sounds-en_US_female_allison-gsm-1.6.23" or
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"asterisk-core-sounds-en_AU_male_alex-gsm-1.6.23"
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--- Print out everything below this block --- have artist sign, and
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--- then fax or --- mail signed original to Digium legal ---
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||||
--- +1-256-428-6217 Attn: Contracts or --- 445 Jan Davis Dr Nw,
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--- Huntsville, --- AL 35806, USA Attn: Contracts ---
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LICENSE FOR VOICE PROMPT FILES ------------------------------
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||||
The voice prompt files distributed herewith are Copyright (C)
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||||
2008-20[XX] [ARTIST NAME OR COPYRIGHT HOLDER NAME], and provided under
|
||||
terms of the following License. For more information, or to purchase
|
||||
custom voice prompt files, please visit:
|
||||
|
||||
[URL or contact data for artist]
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||||
|
||||
I am releasing the listed recordings (delivered as sound files) as
|
||||
being under the Creative Commons 3.0 Attribution/ShareAlike license,
|
||||
as follows.
|
||||
|
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[include list of files on printout]
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Signed: __________________________________________________________
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Printed: __________________________________________________________
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Name
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Issue : _[see step 9 of "Process"]________________________________
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Number
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Date : __________________________________________________________
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||||
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||||
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||||
|
||||
LICENSE -------
|
||||
|
||||
Creative Commons Legal Code
|
||||
|
||||
Attribution 3.0 Unported
|
||||
|
||||
CREATIVE COMMONS CORPORATION IS NOT A LAW FIRM AND DOES NOT
|
||||
PROVIDE LEGAL SERVICES. DISTRIBUTION OF THIS LICENSE DOES NOT
|
||||
CREATE AN ATTORNEY-CLIENT RELATIONSHIP. CREATIVE COMMONS PROVIDES
|
||||
THIS INFORMATION ON AN "AS-IS" BASIS. CREATIVE COMMONS MAKES NO
|
||||
WARRANTIES REGARDING THE INFORMATION PROVIDED, AND DISCLAIMS
|
||||
LIABILITY FOR DAMAGES RESULTING FROM ITS USE.
|
||||
|
||||
License
|
||||
|
||||
THE WORK (AS DEFINED BELOW) IS PROVIDED UNDER THE TERMS OF THIS
|
||||
CREATIVE COMMONS PUBLIC LICENSE ("CCPL" OR "LICENSE"). THE WORK IS
|
||||
PROTECTED BY COPYRIGHT AND/OR OTHER APPLICABLE LAW. ANY USE OF THE
|
||||
WORK OTHER THAN AS AUTHORIZED UNDER THIS LICENSE OR COPYRIGHT LAW
|
||||
IS PROHIBITED.
|
||||
|
||||
BY EXERCISING ANY RIGHTS TO THE WORK PROVIDED HERE, YOU ACCEPT AND
|
||||
AGREE TO BE BOUND BY THE TERMS OF THIS LICENSE. TO THE EXTENT THIS
|
||||
LICENSE MAY BE CONSIDERED TO BE A CONTRACT, THE LICENSOR GRANTS YOU
|
||||
THE RIGHTS CONTAINED HERE IN CONSIDERATION OF YOUR ACCEPTANCE OF
|
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SUCH TERMS AND CONDITIONS.
|
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|
||||
1. Definitions a. "Adaptation" means a work based upon the Work, or
|
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upon the Work and other pre-existing works, such as a translation,
|
||||
adaptation, derivative work, arrangement of music or other
|
||||
alterations of a literary or artistic work, or phonogram or
|
||||
performance and includes cinematographic adaptations or any other
|
||||
form in which the Work may be recast, transformed, or adapted
|
||||
including in any form recognizably derived from the original,
|
||||
except that a work that constitutes a Collection will not be
|
||||
considered an Adaptation for the purpose of this License. For the
|
||||
avoidance of doubt, where the Work is a musical work, performance
|
||||
or phonogram, the synchronization of the Work in timed-relation
|
||||
with a moving image ("synching") will be considered an Adaptation
|
||||
for the purpose of this License. b. "Collection" means a
|
||||
collection of literary or artistic works, such as encyclopedias
|
||||
and anthologies, or performances, phonograms or broadcasts, or
|
||||
other works or subject matter other than works listed in Section
|
||||
1(f) below, which, by reason of the selection and arrangement of
|
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their contents, constitute intellectual creations, in which the
|
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Work is included in its entirety in unmodified form along with one
|
||||
or more other contributions, each constituting separate and
|
||||
independent works in themselves, which together are assembled into
|
||||
a collective whole. A work that constitutes a Collection will not
|
||||
be considered an Adaptation (as defined above) for the purposes of
|
||||
this License. c. "Distribute" means to make available to the
|
||||
public the original and copies of the Work or Adaptation, as
|
||||
appropriate, through sale or other transfer of ownership.
|
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d. "Licensor" means the individual, individuals, entity or
|
||||
entities that offer(s) the Work under the terms of this License.
|
||||
e. "Original Author" means, in the case of a literary or artistic
|
||||
work, the individual, individuals, entity or entities who created
|
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the Work or if no individual or entity can be identified, the
|
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publisher; and in addition (i) in the case of a performance the
|
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actors, singers, musicians, dancers, and other persons who act,
|
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sing, deliver, declaim, play in, interpret or otherwise perform
|
||||
literary or artistic works or expressions of folklore; (ii) in the
|
||||
case of a phonogram the producer being the person or legal entity
|
||||
who first fixes the sounds of a performance or other sounds; and,
|
||||
(iii) in the case of broadcasts, the organization that transmits
|
||||
the broadcast. f. "Work" means the literary and/or artistic work
|
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offered under the terms of this License including without
|
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limitation any production in the literary, scientific and artistic
|
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domain, whatever may be the mode or form of its expression
|
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including digital form, such as a book, pamphlet and other
|
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writing; a lecture, address, sermon or other work of the same
|
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nature; a dramatic or dramatico-musical work; a choreographic work
|
||||
or entertainment in dumb show; a musical composition with or
|
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without words; a cinematographic work to which are assimilated
|
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works expressed by a process analogous to cinematography; a work
|
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of drawing, painting, architecture, sculpture, engraving or
|
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lithography; a photographic work to which are assimilated works
|
||||
expressed by a process analogous to photography; a work of applied
|
||||
art; an illustration, map, plan, sketch or three-dimensional work
|
||||
relative to geography, topography, architecture or science; a
|
||||
performance; a broadcast; a phonogram; a compilation of data to
|
||||
the extent it is protected as a copyrightable work; or a work
|
||||
performed by a variety or circus performer to the extent it is not
|
||||
otherwise considered a literary or artistic work. g. "You" means
|
||||
an individual or entity exercising rights under this License who
|
||||
has not previously violated the terms of this License with respect
|
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to the Work, or who has received express permission from the
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Licensor to exercise rights under this License despite a previous
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violation. h. "Publicly Perform" means to perform public
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recitations of the Work and to communicate to the public those
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public recitations, by any means or process, including by wire or
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rebroadcast the Work by any means including signs, sounds or
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means including without limitation by sound or visual recordings
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and the right of fixation and reproducing fixations of the Work,
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including storage of a protected performance or phonogram in
|
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digital form or other electronic medium.
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||||
2. Fair Dealing Rights. Nothing in this License is intended to
|
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reduce, limit, or restrict any uses free from copyright or rights
|
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arising from limitations or exceptions that are provided for in
|
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connection with the copyright protection under copyright law or
|
||||
other applicable laws.
|
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|
||||
3. License Grant. Subject to the terms and conditions of this
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License, Licensor hereby grants You a worldwide, royalty-free,
|
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non-exclusive, perpetual (for the duration of the applicable
|
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copyright) license to exercise the rights in the Work as stated
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below: a. to Reproduce the Work, to incorporate the Work into one
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or more Collections, and to Reproduce the Work as incorporated in
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the Collections; b. to create and Reproduce Adaptations provided
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that any such Adaptation, including any translation in any medium,
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takes reasonable steps to clearly label, demarcate or otherwise
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identify that changes were made to the original Work. For example,
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a translation could be marked "The original work was translated
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from English to Spanish," or a modification could indicate "The
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original work has been modified."; c. to Distribute and Publicly
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Perform the Work including as incorporated in Collections; and,
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d. to Distribute and Publicly Perform Adaptations. e. For the
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avoidance of doubt: i. Non-waivable Compulsory License Schemes. In
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those jurisdictions in which the right to collect royalties through
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any statutory or compulsory licensing scheme cannot be waived, the
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Licensor reserves the exclusive right to collect such royalties for
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any exercise by You of the rights granted under this License;
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compulsory licensing scheme can be waived, the Licensor waives the
|
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exclusive right to collect such royalties for any exercise by You
|
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of the rights granted under this License; and, iii. Voluntary
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License Schemes. The Licensor waives the right to collect
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royalties, whether individually or, in the event that the Licensor
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is a member of a collecting society that administers voluntary
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The above rights may be exercised in all media and formats whether
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the rights in other media and formats. Subject to Section 8(f), all
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rights not expressly granted by Licensor are hereby reserved.
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|
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4. Restrictions. The license granted in Section 3 above is
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|
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Author," or "Screenplay based on original Work by Original
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You Reproduce, Distribute or Publicly Perform the Work either by
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|
||||
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||||
Adaptations) would be deemed to be a distortion, mutilation,
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||||
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|
||||
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|
||||
5. Representations, Warranties and Disclaimer
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||||
|
||||
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|
||||
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|
||||
LEGAL THEORY FOR ANY SPECIAL, INCIDENTAL, CONSEQUENTIAL, PUNITIVE
|
||||
OR EXEMPLARY DAMAGES ARISING OUT OF THIS LICENSE OR THE USE OF THE
|
||||
WORK, EVEN IF LICENSOR HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH
|
||||
DAMAGES.
|
||||
|
||||
7. Termination a. This License and the rights granted hereunder
|
||||
will terminate automatically upon any breach by You of the terms
|
||||
of this License. Individuals or entities who have received
|
||||
Adaptations or Collections from You under this License, however,
|
||||
will not have their licenses terminated provided such individuals
|
||||
or entities remain in full compliance with those
|
||||
licenses. Sections 1, 2, 5, 6, 7, and 8 will survive any
|
||||
termination of this License. b. Subject to the above terms and
|
||||
conditions, the license granted here is perpetual (for the
|
||||
duration of the applicable copyright in the Work). Notwithstanding
|
||||
the above, Licensor reserves the right to release the Work under
|
||||
different license terms or to stop distributing the Work at any
|
||||
time; provided, however that any such election will not serve to
|
||||
withdraw this License (or any other license that has been, or is
|
||||
required to be, granted under the terms of this License), and this
|
||||
License will continue in full force and effect unless terminated
|
||||
as stated above.
|
||||
|
||||
8. Miscellaneous a. Each time You Distribute or Publicly Perform
|
||||
the Work or a Collection, the Licensor offers to the recipient a
|
||||
license to the Work on the same terms and conditions as the
|
||||
license granted to You under this License. b. Each time You
|
||||
Distribute or Publicly Perform an Adaptation, Licensor offers to
|
||||
the recipient a license to the original Work on the same terms and
|
||||
conditions as the license granted to You under this License.
|
||||
c. If any provision of this License is invalid or unenforceable
|
||||
under applicable law, it shall not affect the validity or
|
||||
enforceability of the remainder of the terms of this License, and
|
||||
without further action by the parties to this agreement, such
|
||||
provision shall be reformed to the minimum extent necessary to
|
||||
make such provision valid and enforceable. d. No term or
|
||||
provision of this License shall be deemed waived and no breach
|
||||
consented to unless such waiver or consent shall be in writing and
|
||||
signed by the party to be charged with such waiver or consent.
|
||||
e. This License constitutes the entire agreement between the
|
||||
parties with respect to the Work licensed here. There are no
|
||||
understandings, agreements or representations with respect to the
|
||||
Work not specified here. Licensor shall not be bound by any
|
||||
additional provisions that may appear in any communication from
|
||||
You. This License may not be modified without the mutual written
|
||||
agreement of the Licensor and You. f. The rights granted under,
|
||||
and the subject matter referenced, in this License were drafted
|
||||
utilizing the terminology of the Berne Convention for the
|
||||
Protection of Literary and Artistic Works (as amended on September
|
||||
28, 1979), the Rome Convention of 1961, the WIPO Copyright Treaty
|
||||
of 1996, the WIPO Performances and Phonograms Treaty of 1996 and
|
||||
the Universal Copyright Convention (as revised on July 24,
|
||||
1971). These rights and subject matter take effect in the relevant
|
||||
jurisdiction in which the License terms are sought to be enforced
|
||||
according to the corresponding provisions of the implementation of
|
||||
those treaty provisions in the applicable national law. If the
|
||||
standard suite of rights granted under applicable copyright law
|
||||
includes additional rights not granted under this License, such
|
||||
additional rights are deemed to be included in the License; this
|
||||
License is not intended to restrict the license of any rights
|
||||
under applicable law.
|
||||
|
||||
Creative Commons Notice
|
||||
|
||||
Creative Commons is not a party to this License, and makes no
|
||||
warranty whatsoever in connection with the Work. Creative Commons
|
||||
will not be liable to You or any party on any legal theory for
|
||||
any damages whatsoever, including without limitation any general,
|
||||
special, incidental or consequential damages arising in
|
||||
connection to this license. Notwithstanding the foregoing two (2)
|
||||
sentences, if Creative Commons has expressly identified itself as
|
||||
the Licensor hereunder, it shall have all rights and obligations
|
||||
of Licensor.
|
||||
|
||||
Except for the limited purpose of indicating to the public that
|
||||
the Work is licensed under the CCPL, Creative Commons does not
|
||||
authorize the use by either party of the trademark "Creative
|
||||
Commons" or any related trademark or logo of Creative Commons
|
||||
without the prior written consent of Creative Commons. Any
|
||||
permitted use will be in compliance with Creative Commons'
|
||||
then-current trademark usage guidelines, as may be published on
|
||||
its website or otherwise made available upon request from time to
|
||||
time. For the avoidance of doubt, this trademark restriction
|
||||
does not form part of this License.
|
||||
|
||||
Creative Commons may be contacted at https://creativecommons.org/
|
||||
|
||||
|
||||
-- end printout --
|
||||
https://wiki.asterisk.org/wiki/display/AST/Asterisk+Sounds+Submission+Process
|
||||
|
Loading…
Reference in new issue